Work 4 It - Christian Nielsen Remix
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 3:02
- Released
- 2017
- Album
- Work 4 It (Remixes)
- Genre
- House
- Loudness
- -6.6 dB
- Dynamics
- 8.7 dB
- ISRC
- NLF711706123
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Work 4 Itoriginal9B · 122
- Work 4 It - ZDS Remixremix7B · 125
Against the original (9B at 122 BPM), this version runs 5 BPM faster and moves the key from 9B to 10A.
Work 4 It - Christian Nielsen Remix: peak-time tempo house, B minor (10A), 127 BPM. The feel is punchy, neutral in mood. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 85% of Roger Sanchez's catalogue
- Low end:
- more bass-heavy than 81% of Roger Sanchez's catalogue
- Energy:
- hotter than 77% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Work 4 It - Christian Nielsen Remix in?
Work 4 It - Christian Nielsen Remix by Roger Sanchez is in B minor, or 10A on the Camelot wheel.
What BPM is Work 4 It - Christian Nielsen Remix?
Work 4 It - Christian Nielsen Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Work 4 It - Christian Nielsen Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Work 4 It - Christian Nielsen Remix good for peak time?
With energy 92 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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