Champions of London
- BPM
- 164
- Half-time
- 82
- Open Key
- 5m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 4:49
- Released
- 2018
- Genre
- Hardcore
- Loudness
- -6.5 dB
- ISRC
- GB5KW1802036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast hardcore cut, Champions of London sits in D♭ minor (12A) at 164 BPM. The groove is loose and less beat-driven. It is vocal-led. A 2018 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue.
- Tempo:
- faster than 87% of The Prodigy's catalogue
- Groove:
- less groove-driven than 77% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Champions of London in?
Champions of London by The Prodigy is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Champions of London?
Champions of London runs at 164 BPM, a very fast track.
What mixes well with Champions of London?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Champions of London good for peak time?
With energy 92 out of 100 at 164 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 164 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 164 — beatmatch without a big tempo pull.
More hardcore
More from The Prodigy
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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