Champions of London by The Prodigy cover art

Champions of London

The Prodigy

Key
12A · D♭ minor
BPM
164
Half-time
82
Open Key
5m
Energy
92/100
Pop
0/100
Length
4:49
Released
2018
Genre
Hardcore
Loudness
-6.5 dB
ISRC
GB5KW1802036

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A very fast hardcore cut, Champions of London sits in D♭ minor (12A) at 164 BPM. The groove is loose and less beat-driven. It is vocal-led. A 2018 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue.

Tempo:
faster than 87% of The Prodigy's catalogue
Groove:
less groove-driven than 77% of The Prodigy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood45Balanced
Groove44
Acoustic0
Instrumental12
Live20
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Champions of London in?

Champions of London by The Prodigy is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Champions of London?

Champions of London runs at 164 BPM, a very fast track.

What mixes well with Champions of London?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Champions of London good for peak time?

With energy 92 out of 100 at 164 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 164 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 164 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hardcore

#TrackKey·BPM

More from The Prodigy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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