Scratch & Turntablism

Baby Scratch

Reviewed by

The foundational scratch technique in which a DJ moves a record forward and backward rhythmically without touching the crossfader, producing a simple back-and-forth sound.

The baby scratch is the most basic scratch technique: the DJ pushes a record forward and pulls it back in a rhythmic motion while leaving the crossfader fully open the entire time. No crossfader manipulation is involved, so both the forward and return strokes are audible.

Why it matters

It is the starting point for every scratch technique because it isolates and develops the record-hand skill that all more advanced scratches depend on. A DJ who cannot produce a clean, consistent baby scratch will struggle with any technique that layers crossfader work on top of record movement.

In practice

Practice at slow tempo first, aiming for equal duration on the forward and backward stroke. The wrist and forearm should drive the motion; gripping the record with only the fingertips gives finer control than a full-palm grip.

Frequently asked questions

The baby scratch uses no crossfader movement at all. The fader stays open throughout, so the sound is continuous in both directions. Every other named scratch technique adds at least one crossfader action on top of the record motion, which is why the baby scratch is always taught first.
Yes, though the feel differs significantly. A motorized jog wheel on a high-end controller mimics the platter resistance of a turntable closely enough for practice. A non-motorized (static) jog wheel responds more like a touch sensor and gives less tactile feedback, making the transition to real vinyl or a CDJ more difficult.
A clean, rhythmically steady baby scratch typically takes a beginner a few hours of focused practice to produce consistently. Mastery, meaning the ability to place the scratch precisely within a beat at various tempos, takes longer because it requires internalizing the rhythm separately from watching the waveform.
Ben Modigell

Hey, it's Ben Modigell 👋

I DJ and produce as so I so — downtempo, minimal, dub house, tech house, and techno (releases on Spotify and SoundCloud, links above). Everything I write here comes from my own gigs, studio sessions, and library cleanups: the rules I follow, the failure modes I've actually hit, and the workflow I use when nobody's watching. If a technique didn't earn its place in my own sets, it doesn't make it into a tutorial.

DJingMusic ProductionTech HouseMinimal HouseDub HouseTechnoDowntempoLibrary Organization