Scratch & Turntablism

Forward Scratch

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A scratch pattern in which the crossfader is opened only on the forward stroke of the record push, silencing the return movement to create a clean one-directional sound.

The forward scratch is a technique in which the DJ opens the crossfader just as the record moves forward and closes it before or during the pull-back, so only the outward stroke produces audible sound. The return movement is muted, giving the scratch a single, directional accent per cycle.

Why it matters

It introduces the fundamental coordination of crossfader timing with record movement, which underpins nearly every intermediate and advanced scratch. The one-handed crossfader close on the return teaches the DJ to think of the fader as a rhythmic tool rather than a static switch.

In practice

Start with the crossfader closed. Push the record forward and open the fader at the same moment, then close the fader before pulling back. The goal is a tight, clipped sound on each forward push with silence in between.

Frequently asked questions

A baby scratch leaves the crossfader open the whole time, so both directions of record movement produce sound. A forward scratch closes the crossfader on the return stroke, isolating only the forward push as audible. That crossfader coordination is the key distinction and the skill the forward scratch specifically develops.
A sharp or near-instant crossfader curve is preferred because it allows the DJ to open and close the fader with minimal travel and get a clean cut in and out. A soft or slow curve bleeds audio during the transition rather than cutting cleanly, which blurs the accent the forward scratch is designed to produce.
It is used both ways. As a practice tool it builds the crossfader-to-record coordination needed for harder techniques. In performance, a series of forward scratches placed on specific beats creates a rhythmic, chopped effect that works well in hip-hop and turntablist sets without requiring the speed of more complex techniques.
Ben Modigell

Hey, it's Ben Modigell 👋

I DJ and produce as so I so — downtempo, minimal, dub house, tech house, and techno (releases on Spotify and SoundCloud, links above). Everything I write here comes from my own gigs, studio sessions, and library cleanups: the rules I follow, the failure modes I've actually hit, and the workflow I use when nobody's watching. If a technique didn't earn its place in my own sets, it doesn't make it into a tutorial.

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