Scratch & Turntablism

Flare Scratch

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An advanced technique invented by DJ Flare in which a single forward or backward record movement is interrupted by one or more crossfader clicks inward, creating clean cut-in sounds without the typical open-close motion.

The flare scratch begins with the crossfader already open. During a single record push or pull, the crossfader hand clicks the fader briefly closed and back open one or more times, producing a precise cut into the sustained audio rather than a burst of sound. Each click inward creates one clean interruption, so a one-click flare produces two audible segments from one stroke, a two-click flare produces three, and so on.

Why it matters

The flare was a technical breakthrough because it removed the crossfader-open action from the scratch timing, allowing a DJ to create clean cuts at higher speeds than the transformer or chirp could achieve. It forms the foundation of the orbit scratch and several other techniques, and it is a benchmark move in battle DJ competition judging.

In practice

Start with the fader open and the record moving. Click the fader fully closed and immediately back open using a single quick wrist motion. The click should be fast enough that the silence between the two resulting audio segments is short and even. Practicing the fader click independently, without moving the record, is a standard first step.

Frequently asked questions

The flare scratch was invented by DJ Flare, a member of the Invisibl Skratch Piklz crew, in the early 1990s (most sources cite 1991). It spread widely through DJ battle circuits and instructional videos of that era and quickly became a required technique for serious turntablists because of the speed and precision it enabled.
A one-click flare interrupts a single record stroke once, producing two audible portions from that stroke. A two-click flare interrupts the same stroke twice, producing three audible portions. The more clicks per stroke, the more complex the rhythmic pattern and the higher the speed and coordination required from the crossfader hand.
A hamster-style setup reverses the crossfader direction so that the fader opens in the direction the DJ finds more natural for the inward click motion, reducing hand fatigue during fast repetitions. Combined with a sharp crossfader curve that cuts instantly with minimal travel, this setup lets the DJ click in and out of the flare with maximum speed and precision.
Ben Modigell

Hey, it's Ben Modigell 👋

I DJ and produce as so I so — downtempo, minimal, dub house, tech house, and techno (releases on Spotify and SoundCloud, links above). Everything I write here comes from my own gigs, studio sessions, and library cleanups: the rules I follow, the failure modes I've actually hit, and the workflow I use when nobody's watching. If a technique didn't earn its place in my own sets, it doesn't make it into a tutorial.

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