It’s So… (Zed Bias remix)
30s preview
- Key
- 8B · C major
- BPM
- 156
- Half-time
- 78
- Open Key
- 1d
- Energy
- 54/100
- Pop
- 0/100
- Length
- 4:51
- Released
- 2011
- Genre
- Grime
- Loudness
- -7.3 dB
- Dynamics
- 10.2 dB
- ISRC
- GBEUE1002135
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
It’s So… (Zed Bias remix) runs 156 BPM in C major (8B), a fast grime record. The feel is bright and easy. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 90% of Zed Bias's catalogue
- Groove:
- less groove-driven than 90% of Zed Bias's catalogue
- Tempo:
- faster than 84% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is It’s So… (Zed Bias remix) in?
It’s So… (Zed Bias remix) by Zed Bias is in C major, or 8B on the Camelot wheel.
What BPM is It’s So… (Zed Bias remix)?
It’s So… (Zed Bias remix) runs at 156 BPM, a fast track.
What mixes well with It’s So… (Zed Bias remix)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is It’s So… (Zed Bias remix) good for peak time?
With energy 54 out of 100 at 156 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 156 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 147-165 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 156 — beatmatch without a big tempo pull.
More grime
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 156 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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