Dead Promises - Sobek Remix
30s preview
- Key
- 9B · G major
- BPM
- 155
- Half-time
- 78
- Open Key
- 2d
- Energy
- 61/100
- Pop
- 0/100
- Length
- 7:21
- Released
- 2022
- Album
- Dead Promises
- Genre
- Tribal
- Loudness
- -10.9 dB
- Dynamics
- 11.2 dB
- ISRC
- DET752200013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A fast tribal cut, Dead Promises - Sobek Remix sits in G major (9B) at 155 BPM. It reads as dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 99% of Sobek's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 99% of Sobek's catalogue
- Reach:
- more underground than 99% of Sobek's catalogue
- Energy:
- calmer than 93% of Sobek's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Dead Promises - Sobek Remix in?
Dead Promises - Sobek Remix by Sobek is in G major, or 9B on the Camelot wheel.
What BPM is Dead Promises - Sobek Remix?
Dead Promises - Sobek Remix runs at 155 BPM, a fast track.
What mixes well with Dead Promises - Sobek Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Dead Promises - Sobek Remix good for peak time?
With energy 61 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 155 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More tribal
More from Sobek
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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