On Point - Rampage Mix
30s preview
- BPM
- 153
- Half-time
- 77
- Open Key
- 3m
- Energy
- 56/100
- Pop
- 0/100
- Length
- 5:42
- Released
- 2009
- Album
- On Point EP
- Genre
- Tribal
- Loudness
- -10.5 dB
- Dynamics
- 12.4 dB
- ISRC
- GBUTS0900004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On Point - Main Mixoriginal10B · 122
- On Point - Psychic Mixoriginal10B · 122
On Point - Rampage Mix runs 153 BPM in B minor (10A), a fast tribal record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 95% of Boddhi Satva's catalogue
- Groove:
- less groove-driven than 95% of Boddhi Satva's catalogue
- Brightness:
- darker than 90% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is On Point - Rampage Mix in?
On Point - Rampage Mix by Boddhi Satva is in B minor, or 10A on the Camelot wheel.
What BPM is On Point - Rampage Mix?
On Point - Rampage Mix runs at 153 BPM, a fast track.
What mixes well with On Point - Rampage Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is On Point - Rampage Mix good for peak time?
With energy 56 out of 100 at 153 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 153 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 144-162 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 153 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 153 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.