
Visa - Part 2
30s preview
- BPM
- 78
- Double-time
- 156
- Open Key
- 4m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 3:40
- Released
- 2020
- Album
- Trouble Fête
- Genre
- Tribal
- Loudness
- -4.4 dB
- Dynamics
- 12.3 dB
- ISRC
- GBEQT1900487
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Visa - Bonusoriginal11B · 107
- Visa - Part 1original11A · 112
- Visaoriginal11A · 107
- Visa - Instrumentaloriginal11B · 107
Visa - Part 2: tribal, F♯ minor (11A), 78 BPM. It reads as punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 99% of Boddhi Satva's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 99% of Boddhi Satva's catalogue
- Reach:
- more underground than 99% of Boddhi Satva's catalogue
- Energy:
- hotter than 89% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Visa - Part 2 in?
Visa - Part 2 by Boddhi Satva is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Visa - Part 2?
Visa - Part 2 runs at 78 BPM.
What mixes well with Visa - Part 2?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Visa - Part 2 good for peak time?
With energy 83 out of 100 at 78 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 78 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 73-83 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 78 — beatmatch without a big tempo pull.
More tribal
More from Boddhi Satva
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 78 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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