On Point - Main Mix
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 74/100
- Pop
- 0/100
- Length
- 5:58
- Released
- 2009
- Album
- On Point EP
- Genre
- Deep House
- Loudness
- -10.5 dB
- Dynamics
- 9.7 dB
- ISRC
- GBUTS0900003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On Point - Psychic Mixoriginal10B · 122
- On Point - Rampage Mixoriginal10A · 153
A club-tempo deep house cut, On Point - Main Mix sits in D major (10B) at 122 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 91% of Boddhi Satva's catalogue
- Brightness:
- brighter than 84% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is On Point - Main Mix in?
On Point - Main Mix by Boddhi Satva is in D major, or 10B on the Camelot wheel.
What BPM is On Point - Main Mix?
On Point - Main Mix runs at 122 BPM, a club-tempo track.
What mixes well with On Point - Main Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is On Point - Main Mix good for peak time?
With energy 74 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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