Better off That Way
30s preview
- BPM
- 122
- Open Key
- 4m
- Energy
- 75/100
- Pop
- 7/100
- Length
- 3:12
- Released
- 2015
- Album
- Morning Dew
- Genre
- House
- Label
- Enormous Tunes
- Loudness
- -4.8 dB
- Dynamics
- 9.0 dB
- ISRC
- CH3131512738
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Better Off That Wayoriginal11A · 122
A club-tempo house cut, Better off That Way sits in F♯ minor (11A) at 122 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Brighter than 95% of Nora En Pure's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 87% of Nora En Pure's catalogue
- Energy:
- calmer than 75% of Nora En Pure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Better off That Way in?
Better off That Way by Nora En Pure is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Better off That Way?
Better off That Way runs at 122 BPM, a club-tempo track.
What mixes well with Better off That Way?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Better off That Way good for peak time?
With energy 75 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 122 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Nora En Pure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
