You Were Right - Braxton Remix
30s preview
- BPM
- 122
- Open Key
- 5m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 6:53
- Released
- 2015
- Album
- You Were Right
- Genre
- Dance Pop
- Loudness
- -6.0 dB
- Dynamics
- 13.9 dB
- ISRC
- AUDCB1500567
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Were Rightoriginal4A · 122
- You Were Right - Catz ‘N Dogz Remixremix2B · 122
- You Were Right - Nora En Pure Remixremix4B · 122
- You Were Right - Ki:Theory Remixremix4B · 122
- You Were Right - Louis Futon Remixremix4B · 122
Against the original (4A at 122 BPM), this version holds the same tempo and moves the key from 4A to 12A.
A club-tempo dance pop cut, You Were Right - Braxton Remix sits in D♭ minor (12A) at 122 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. More underground than 99% of Rufus Du Sol's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 76% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is You Were Right - Braxton Remix in?
You Were Right - Braxton Remix by Rufus Du Sol is in D♭ minor, or 12A on the Camelot wheel.
What BPM is You Were Right - Braxton Remix?
You Were Right - Braxton Remix runs at 122 BPM, a club-tempo track.
What mixes well with You Were Right - Braxton Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is You Were Right - Braxton Remix good for peak time?
With energy 75 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 122 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More dance pop
![Doses & Mimosas (Vintage Culture & Zerky Remix) [Radio Edit] by Vintage Culture cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cb7d4bec5e82d77f8e22.webp){kind=small}
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
