You Were Right - Ki:Theory Remix
- BPM
- 122
- Open Key
- 9d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 3:37
- Released
- 2015
- Album
- You Were Right (Remixes)
- Genre
- Dance Pop
- Loudness
- -6.4 dB
- ISRC
- USA2P1635251
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Were Rightoriginal4A · 122
- You Were Right - Braxton Remixremix12A · 122
- You Were Right - Catz ‘N Dogz Remixremix2B · 122
- You Were Right - Nora En Pure Remixremix4B · 122
- You Were Right - Louis Futon Remixremix4B · 122
Against the original (4A at 122 BPM), this version holds the same tempo and moves the key from 4A to 4B.
You Were Right - Ki:Theory Remix is a club-tempo dance pop track in A♭ major (4B) at 122 BPM. It is vocal-led. A 2015 production that still circulates in sets. More underground than 99% of Rufus Du Sol's catalogue.
- Groove:
- less groove-driven than 94% of Rufus Du Sol's catalogue
- Brightness:
- darker than 92% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Were Right - Ki:Theory Remix in?
You Were Right - Ki:Theory Remix by Rufus Du Sol is in A♭ major, or 4B on the Camelot wheel.
What BPM is You Were Right - Ki:Theory Remix?
You Were Right - Ki:Theory Remix runs at 122 BPM, a club-tempo track.
What mixes well with You Were Right - Ki:Theory Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is You Were Right - Ki:Theory Remix good for peak time?
With energy 78 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 122 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
