La'khal i'tin
- BPM
- 152
- Half-time
- 76
- Open Key
- 8d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 4:51
- Released
- 2021
- Genre
- African
- Loudness
- -17.2 dB
- ISRC
- QZNMU2179212
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
La'khal i'tin: fast african, D♭ major (3B), 152 BPM. It is vocal-led. The master keeps real dynamic headroom. Faster than 99% of Kabza De Small's catalogue.
- Reach:
- more underground than 99% of Kabza De Small's catalogue
- Groove:
- less groove-driven than 93% of Kabza De Small's catalogue
- Brightness:
- brighter than 76% of Kabza De Small's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is La'khal i'tin in?
La'khal i'tin by Kabza De Small is in D♭ major, or 3B on the Camelot wheel.
What BPM is La'khal i'tin?
La'khal i'tin runs at 152 BPM, a fast track.
What mixes well with La'khal i'tin?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is La'khal i'tin good for peak time?
With energy 52 out of 100 at 152 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 152 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 143-161 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 152 — beatmatch without a big tempo pull.
More african
More from Kabza De Small
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 152 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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