Running Away
- Key
- 4A · F minor
- BPM
- 76
- Double-time
- 152
- Open Key
- 9m
- Energy
- 44/100
- Pop
- 4/100
- Length
- 4:05
- Released
- 2016
- Genre
- Techno
- Loudness
- -9.6 dB
- ISRC
- CHB751400019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Running Away: techno, F minor (4A), 76 BPM. It is vocal-led. A 2016 production that still circulates in sets. Slower than 99% of Jimi Jules's catalogue.
- Energy:
- calmer than 97% of Jimi Jules's catalogue
- Groove:
- less groove-driven than 92% of Jimi Jules's catalogue
- Reach:
- more underground than 83% of Jimi Jules's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Running Away in?
Running Away by Jimi Jules is in F minor, or 4A on the Camelot wheel.
What BPM is Running Away?
Running Away runs at 76 BPM.
What mixes well with Running Away?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Running Away good for peak time?
With energy 44 out of 100 at 76 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 76 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 71-81 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 76 — beatmatch without a big tempo pull.
More techno
More from Jimi Jules
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 76 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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