Falling
- BPM
- 75
- Double-time
- 150
- Open Key
- 4d
- Energy
- 47/100
- Pop
- 11/100
- Length
- 4:14
- Released
- 2021
- Genre
- Techno
- Loudness
- -12.2 dB
- ISRC
- DETO32100067
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 75 BPM in A major (11B), Falling is a techno production. Tonally it lands dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. Slower than 99% of Monolink's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 99% of Monolink's catalogue
- Energy:
- calmer than 76% of Monolink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Falling in?
Falling by Monolink is in A major, or 11B on the Camelot wheel.
What BPM is Falling?
Falling runs at 75 BPM.
What mixes well with Falling?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Falling good for peak time?
With energy 47 out of 100 at 75 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 75 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
More techno
More from Monolink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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