Intro by CRi cover art

Intro

CRi

30s preview

Key
11A · F♯ minor
BPM
155
Half-time
78
Open Key
4m
Energy
59/100
Pop
15/100
Length
1:43
Released
2024
Genre
Story
Loudness
-9.2 dB
Dynamics
18.8 dB
ISRC
GBEWA2406640

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 155 BPM in F♯ minor (11A), Intro is a fast story production. It reads as balanced in mood. It is vocal-led. Spoken-word passages run through it. Its spectrum is focused in the upper-mids, present and forward. The master keeps unusual dynamic range for club music (crest 19 dB). More treble-tilted than 99% of CRi's catalogue. For programming, treat it as a high-intensity peak cut.

Tempo:
faster than 96% of CRi's catalogue
Brightness:
brighter than 88% of CRi's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy59
Mood56Balanced
Groove70
Acoustic2
Instrumental0
Live26
Speech37

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
11%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
35%
Upper-mid
570 Hz-2.5 kHz
23%
High
2.5-11 kHz

FAQ

What key is Intro in?

Intro by CRi is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Intro?

Intro runs at 155 BPM, a fast track.

What mixes well with Intro?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Intro good for peak time?

With energy 59 out of 100 at 155 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 155 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 155 — beatmatch without a big tempo pull.

#Track

More story

#Track

More from CRi

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track