![Why I Love You [Dan Only Remix] by CRi cover art](https://i.scdn.co/image/ab67616d00001e02141767f798e2488e47cc6f99)
Why I Love You [Dan Only Remix]
- BPM
- 126
- Open Key
- 8d
- Energy
- 57/100
- Pop
- 1/100
- Length
- 4:35
- Released
- 2016
- Genre
- Story
- Loudness
- -15.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Why I Love You [Rosewater Ctz Remix]remix9A · 115
- Why I Love Youoriginal3B · 117
- Why I Love You (feat. Ouri & Odile M.) [Dan Only Remix]remix3B · 126
- Why I Love You (feat. Ouri & Odile M.) [Rosewater Ctz Remix]remix9A · 110
Against the original (3B at 117 BPM), this version runs 9 BPM faster in the same key.
A club-tempo story cut, Why I Love You [Dan Only Remix] sits in D♭ major (3B) at 126 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Why I Love You [Dan Only Remix] in?
Why I Love You [Dan Only Remix] by CRi is in D♭ major, or 3B on the Camelot wheel.
What BPM is Why I Love You [Dan Only Remix]?
Why I Love You [Dan Only Remix] runs at 126 BPM, a club-tempo track.
What mixes well with Why I Love You [Dan Only Remix]?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Why I Love You [Dan Only Remix] good for peak time?
With energy 57 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More story
More from CRi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
