Remember You - Edit
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 20/100
- Length
- 3:50
- Released
- 2018
- Album
- Anjunadeep Explorations 07
- Genre
- Story
- Loudness
- -6.0 dB
- Dynamics
- 12.2 dB
- ISRC
- GBEWA1803201
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Remember Youoriginal8A · 125
Against the original (8A at 125 BPM), this version holds the same tempo in the same key.
Remember You - Edit runs 125 BPM in A minor (8A), a club-tempo story record. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Hotter than 95% of CRi's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 76% of CRi's catalogue
- Reach:
- better known than 76% of CRi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Remember You - Edit in?
Remember You - Edit by CRi is in A minor, or 8A on the Camelot wheel.
What BPM is Remember You - Edit?
Remember You - Edit runs at 125 BPM, a club-tempo track.
What mixes well with Remember You - Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Remember You - Edit good for peak time?
With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Why I Love You [Rosewater Ctz Remix] by CRi cover art](https://i.scdn.co/image/ab67616d00001e02141767f798e2488e47cc6f99){kind=small}
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More story
More from CRi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
