I Can Make It - Jacques Greene Remix
30s preview
- BPM
- 130
- Open Key
- 4d
- Energy
- 76/100
- Pop
- 0/100
- Length
- 4:24
- Released
- 2023
- Album
- I Can Make It (Jacques Greene Remix)
- Genre
- Story
- Loudness
- -10.5 dB
- Dynamics
- 12.2 dB
- ISRC
- GBEWA2304110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Can Make Itoriginal11B · 128
- I Can Make Itoriginal6B · 128
Against the original (11B at 128 BPM), this version runs 2 BPM faster in the same key.
A peak-time tempo story cut, I Can Make It - Jacques Greene Remix sits in A major (11B) at 130 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of CRi's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 96% of CRi's catalogue
- Groove:
- groovier than 95% of CRi's catalogue
- Tempo:
- faster than 87% of CRi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is I Can Make It - Jacques Greene Remix in?
I Can Make It - Jacques Greene Remix by CRi is in A major, or 11B on the Camelot wheel.
What BPM is I Can Make It - Jacques Greene Remix?
I Can Make It - Jacques Greene Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with I Can Make It - Jacques Greene Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is I Can Make It - Jacques Greene Remix good for peak time?
With energy 76 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More story
![Why I Love You [Dan Only Remix] by CRi cover art](https://i.scdn.co/image/ab67616d00001e02141767f798e2488e47cc6f99){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
