Eau
- Key
- 9B · G major
- BPM
- 132
- Open Key
- 2d
- Energy
- 19/100
- Pop
- 45/100
- Length
- 4:13
- Released
- 2013
- Genre
- Story
- Loudness
- -17.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in G major (9B), Eau is a peak-time tempo story production. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 98% of CRi's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 95% of CRi's catalogue
- Groove:
- less groove-driven than 93% of CRi's catalogue
- Tempo:
- faster than 92% of CRi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Eau in?
Eau by CRi is in G major, or 9B on the Camelot wheel.
What BPM is Eau?
Eau runs at 132 BPM, a peak-time tempo track.
What mixes well with Eau?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Eau good for peak time?
With energy 19 out of 100 at 132 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 132 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More story
More from CRi
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.