
Orlok's Symphony
- BPM
- 134
- Open Key
- 8m
- Energy
- 19/100
- Pop
- 6/100
- Length
- 2:31
- Released
- 2015
- Genre
- Techno
- Loudness
- -15.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Orlok's Symphony - Original Mixoriginal3A · 134
Orlok's Symphony is a peak-time tempo techno track in B♭ minor (3A) at 134 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Calmer than 99% of Dax J's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 98% of Dax J's catalogue
- Groove:
- less groove-driven than 92% of Dax J's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Orlok's Symphony in?
Orlok's Symphony by Dax J is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Orlok's Symphony?
Orlok's Symphony runs at 134 BPM, a peak-time tempo track.
What mixes well with Orlok's Symphony?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Orlok's Symphony good for peak time?
With energy 19 out of 100 at 134 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 134 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Dax J
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.