Amber Rose (Acoustic)
30s preview
- Key
- 8A · A minor
- BPM
- 156
- Half-time
- 78
- Open Key
- 1m
- Energy
- 60/100
- Pop
- 0/100
- Length
- 5:05
- Released
- 2018
- Album
- Amber Rose: 2008 - 2018
- Genre
- Dance Pop
- Loudness
- -6.9 dB
- Dynamics
- 9.6 dB
- ISRC
- QM24S1841207
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Amber Roseoriginal10A · 125
Against the original (10A at 125 BPM), this version runs 31 BPM faster and moves the key from 10A to 8A.
Amber Rose (Acoustic) is a fast dance pop track in A minor (8A) at 156 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. A 2018 production that still circulates in sets. More underground than 99% of LP Giobbi's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 98% of LP Giobbi's catalogue
- Energy:
- calmer than 89% of LP Giobbi's catalogue
- Groove:
- less groove-driven than 83% of LP Giobbi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Amber Rose (Acoustic) in?
Amber Rose (Acoustic) by LP Giobbi is in A minor, or 8A on the Camelot wheel.
What BPM is Amber Rose (Acoustic)?
Amber Rose (Acoustic) runs at 156 BPM, a fast track.
What mixes well with Amber Rose (Acoustic)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Amber Rose (Acoustic) good for peak time?
With energy 60 out of 100 at 156 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 156 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 147-165 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 156 — beatmatch without a big tempo pull.
More dance pop
More from LP Giobbi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 156 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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