ángel - en vivo
30s preview
- Key
- 5A · C minor
- BPM
- 150
- Half-time
- 75
- Open Key
- 10m
- Energy
- 75/100
- Pop
- 47/100
- Length
- 4:23
- Released
- 2024
- Album
- un mechón de pelo (en vivo)
- Genre
- Dance Pop
- Loudness
- -6.3 dB
- Dynamics
- 13.1 dB
- ISRC
- USHR12448123
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- ángeloriginal5A · 150
At 150 BPM in C minor (5A), ángel - en vivo is a fast dance pop production. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 93% of tINI's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 88% of tINI's catalogue
- Reach:
- better known than 82% of tINI's catalogue
- Tempo:
- faster than 79% of tINI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is ángel - en vivo in?
ángel - en vivo by tINI is in C minor, or 5A on the Camelot wheel.
What BPM is ángel - en vivo?
ángel - en vivo runs at 150 BPM, a fast track.
What mixes well with ángel - en vivo?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is ángel - en vivo good for peak time?
With energy 75 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 150 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More dance pop
More from tINI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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