Lo Que Tu Alma Escribe
30s preview
- Key
- 1B · B major
- BPM
- 144
- Half-time
- 72
- Open Key
- 6d
- Energy
- 38/100
- Pop
- 39/100
- Length
- 3:56
- Released
- 2016
- Album
- TINI (Martina Stoessel) [Deluxe Edition]
- Genre
- Dance Pop
- Loudness
- -7.3 dB
- Dynamics
- 13.3 dB
- ISRC
- USHR11637127
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Lo Que Tu Alma Escribe: driving up-tempo dance pop, B major (1B), 144 BPM. It is vocal-led. The timbre leans bright. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Calmer than 93% of tINI's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 78% of tINI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Lo Que Tu Alma Escribe in?
Lo Que Tu Alma Escribe by tINI is in B major, or 1B on the Camelot wheel.
What BPM is Lo Que Tu Alma Escribe?
Lo Que Tu Alma Escribe runs at 144 BPM, a driving up-tempo track.
What mixes well with Lo Que Tu Alma Escribe?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Lo Que Tu Alma Escribe good for peak time?
With energy 38 out of 100 at 144 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
![Syntax [One] by Richie Hawtin cover art](https://i.scdn.co/image/ab67616d00001e029d1f9d69ee62c902cc2eb981){kind=small}
How to mix it
In 1B at 144 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
More dance pop
More from tINI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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