High (Remix)
- Key
- 8A · A minor
- BPM
- 200
- Half-time
- 100
- Open Key
- 1m
- Energy
- 35/100
- Pop
- 57/100
- Length
- 4:04
- Released
- 2020
- Genre
- Dance Pop
- Label
- 300 Entertainment
- Loudness
- -7.8 dB
- ISRC
- QMCE32000430
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
High (Remix): dance pop, A minor (8A), 200 BPM. The feel is subdued and even. It is vocal-led. Faster than 99% of tINI's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 95% of tINI's catalogue
- Reach:
- better known than 90% of tINI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is High (Remix) in?
High (Remix) by tINI is in A minor, or 8A on the Camelot wheel.
What BPM is High (Remix)?
High (Remix) runs at 200 BPM.
What mixes well with High (Remix)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is High (Remix) good for peak time?
With energy 35 out of 100 at 200 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 200 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 200 — beatmatch without a big tempo pull.
More dance pop
More from tINI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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