I Want You
30s preview
- Key
- 8B · C major
- BPM
- 90
- Double-time
- 180
- Open Key
- 1d
- Energy
- 39/100
- Pop
- 30/100
- Length
- 3:39
- Released
- 2016
- Album
- TINI (Martina Stoessel) [Deluxe Edition]
- Genre
- Dance Pop
- Loudness
- -7.5 dB
- Dynamics
- 13.2 dB
- ISRC
- USWD11676191
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Want You: slow-groove tempo dance pop, C major (8B), 90 BPM. Tonally it lands subdued and even. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. More treble-tilted than 96% of tINI's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 91% of tINI's catalogue
- Tempo:
- slower than 90% of tINI's catalogue
- Groove:
- less groove-driven than 85% of tINI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is I Want You in?
I Want You by tINI is in C major, or 8B on the Camelot wheel.
What BPM is I Want You?
I Want You runs at 90 BPM, a slow-groove tempo track.
What mixes well with I Want You?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is I Want You good for peak time?
With energy 39 out of 100 at 90 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 90 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 90 — beatmatch without a big tempo pull.
More dance pop
More from tINI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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