Siempre Brillarás - From “Tini: El gran cambio de Violetta”
- Key
- 7B · F major
- BPM
- 185
- Half-time
- 93
- Open Key
- 12d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 3:01
- Released
- 2016
- Album
- Siempre Brillarás (From “Tini: El gran cambio de Violetta”)
- Genre
- Dance Pop
- Loudness
- -6.0 dB
- ISRC
- USWD11676169
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Siempre Brillarás - Spanish/English Versionoriginal6A · 185
Siempre Brillarás - From “Tini: El gran cambio de Violetta” is a dance pop track in F major (7B) at 185 BPM. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. A 2016 production that still circulates in sets. More underground than 99% of tINI's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- hotter than 98% of tINI's catalogue
- Tempo:
- faster than 95% of tINI's catalogue
- Groove:
- less groove-driven than 84% of tINI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Siempre Brillarás - From “Tini: El gran cambio de Violetta” in?
Siempre Brillarás - From “Tini: El gran cambio de Violetta” by tINI is in F major, or 7B on the Camelot wheel.
What BPM is Siempre Brillarás - From “Tini: El gran cambio de Violetta”?
Siempre Brillarás - From “Tini: El gran cambio de Violetta” runs at 185 BPM.
What mixes well with Siempre Brillarás - From “Tini: El gran cambio de Violetta”?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Siempre Brillarás - From “Tini: El gran cambio de Violetta” good for peak time?
With energy 92 out of 100 at 185 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 185 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 174-196 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 185 — beatmatch without a big tempo pull.
More dance pop
More from tINI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 185 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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