Visszaszámlálás by Ossian cover art

Visszaszámlálás

Ossian

30s preview

Key
3A · B♭ minor
BPM
185
Half-time
93
Open Key
8m
Energy
95/100
Pop
7/100
Length
2:45
Released
2003
Album
Hangerőmű
Genre
Hard Rock
Loudness
-4.9 dB
Dynamics
13.4 dB
ISRC
HUA630300028

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Visszaszámlálás: hard rock, B♭ minor (3A), 185 BPM. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2003 production that still circulates in sets. Faster than 99% of Ossian's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
brighter than 87% of Ossian's catalogue
Groove:
less groove-driven than 85% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood66Bright
Groove34
Acoustic0
Instrumental25
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Visszaszámlálás in?

Visszaszámlálás by Ossian is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Visszaszámlálás?

Visszaszámlálás runs at 185 BPM.

What mixes well with Visszaszámlálás?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Visszaszámlálás good for peak time?

With energy 95 out of 100 at 185 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 185 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 174-196 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 185 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 185 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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