Csak a Jót by Ossian cover art

Csak a Jót

Ossian

30s preview

Key
10A · B minor
BPM
165
Half-time
83
Open Key
3m
Energy
98/100
Pop
30/100
Length
3:26
Released
2020
Genre
Hard Rock
Loudness
-3.0 dB
Dynamics
11.4 dB
ISRC
HUA632000007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A very fast hard rock cut, Csak a Jót sits in B minor (10A) at 165 BPM. It reads as punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 99% of Ossian's catalogue. For programming, treat it as a high-intensity peak cut.

Energy:
hotter than 92% of Ossian's catalogue
Tempo:
faster than 88% of Ossian's catalogue
Low end:
more bass-heavy than 76% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood56Balanced
Groove50
Acoustic0
Instrumental0
Live21
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Csak a Jót in?

Csak a Jót by Ossian is in B minor, or 10A on the Camelot wheel.

What BPM is Csak a Jót?

Csak a Jót runs at 165 BPM, a very fast track.

What mixes well with Csak a Jót?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Csak a Jót good for peak time?

With energy 98 out of 100 at 165 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 165 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 165 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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