
Rocker vagyok
30s preview
- Key
- 4A · F minor
- BPM
- 165
- Half-time
- 83
- Open Key
- 9m
- Energy
- 99/100
- Pop
- 4/100
- Length
- 6:51
- Released
- 2011
- Album
- 25 éves Jubileumi koncert 2
- Genre
- Hard Rock
- Loudness
- -3.8 dB
- Dynamics
- 10.8 dB
- ISRC
- HUA631100487
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rocker vagyokoriginal10B · 82
- Rocker vagyok (Live)original4A · 153
- Rocker Vagyokoriginal3B · 87
- Rocker Vagyokoriginal3B · 82
- Rocker vagyokoriginal6A · 79
- Rocker vagyokoriginal10B · 82
At 165 BPM in F minor (4A), Rocker vagyok is a very fast hard rock production. It is vocal-led. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Less groove-driven than 98% of Ossian's catalogue.
- Brightness:
- darker than 98% of Ossian's catalogue
- Energy:
- hotter than 97% of Ossian's catalogue
- Tempo:
- faster than 88% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Rocker vagyok in?
Rocker vagyok by Ossian is in F minor, or 4A on the Camelot wheel.
What BPM is Rocker vagyok?
Rocker vagyok runs at 165 BPM, a very fast track.
What mixes well with Rocker vagyok?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Rocker vagyok good for peak time?
With energy 99 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 165 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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