Legyen Miénk Az Élet
- BPM
- 151
- Half-time
- 76
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 3/100
- Length
- 4:23
- Released
- 1998
- Album
- Koncert 2
- Genre
- Hard Rock
- Loudness
- -4.2 dB
- ISRC
- HUA639800015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Legyen miénk az élet (Live)original10B · 149
- Legyen Miénk Az Életoriginal3B · 161
- Legyen miénk az Életoriginal3B · 157
- Legyen miénk az Életoriginal3B · 157
At 151 BPM in B♭ minor (3A), Legyen Miénk Az Élet is a fast hard rock production. Tonally it lands punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 1998 production that still circulates in sets. Less groove-driven than 82% of Ossian's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- more underground than 82% of Ossian's catalogue
- Tempo:
- faster than 77% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Legyen Miénk Az Élet in?
Legyen Miénk Az Élet by Ossian is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Legyen Miénk Az Élet?
Legyen Miénk Az Élet runs at 151 BPM, a fast track.
What mixes well with Legyen Miénk Az Élet?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Legyen Miénk Az Élet good for peak time?
With energy 92 out of 100 at 151 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 151 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 142-160 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 151 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 151 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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