Az Újrakezdés Súlya by Ossian cover art

Az Újrakezdés Súlya

Ossian

30s preview

Key
2B · F♯ major
BPM
75
Double-time
150
Open Key
7d
Energy
84/100
Pop
4/100
Length
5:42
Released
2005
Album
A Szabadság Fantomja
Genre
Hard Rock
Loudness
-2.8 dB
Dynamics
11.9 dB
ISRC
HUA630500186

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 75 BPM in F♯ major (2B), Az Újrakezdés Súlya is a hard rock production. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2005 production that still circulates in sets. Slower than 98% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood38Balanced
Groove44
Acoustic2
Instrumental2
Live18
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Az Újrakezdés Súlya in?

Az Újrakezdés Súlya by Ossian is in F♯ major, or 2B on the Camelot wheel.

What BPM is Az Újrakezdés Súlya?

Az Újrakezdés Súlya runs at 75 BPM.

What mixes well with Az Újrakezdés Súlya?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Az Újrakezdés Súlya good for peak time?

With energy 84 out of 100 at 75 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 75 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 75 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.