Gonosz Asszony
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 4d
- Energy
- 96/100
- Pop
- 2/100
- Length
- 4:57
- Released
- 1998
- Album
- Koncert 2
- Genre
- Hard Rock
- Loudness
- -5.0 dB
- Dynamics
- 12.5 dB
- ISRC
- HUA639800012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gonosz Asszonyoriginal8B · 72
A fast hard rock cut, Gonosz Asszony sits in A major (11B) at 150 BPM. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). A 1998 production that still circulates in sets. More underground than 88% of Ossian's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 86% of Ossian's catalogue
- Energy:
- hotter than 76% of Ossian's catalogue
- Tempo:
- faster than 76% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Gonosz Asszony in?
Gonosz Asszony by Ossian is in A major, or 11B on the Camelot wheel.
What BPM is Gonosz Asszony?
Gonosz Asszony runs at 150 BPM, a fast track.
What mixes well with Gonosz Asszony?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Gonosz Asszony good for peak time?
With energy 96 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 150 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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