Szenvedély
30s preview
- Key
- 4A · F minor
- BPM
- 146
- Half-time
- 73
- Open Key
- 9m
- Energy
- 98/100
- Pop
- 4/100
- Length
- 3:56
- Released
- 2011
- Album
- 25 éves Jubileumi koncert 2
- Genre
- Hard Rock
- Loudness
- -2.9 dB
- Dynamics
- 11.4 dB
- ISRC
- HUA631100486
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Szenvedély (Live)original4A · 139
- Szenvedély - Symphonic Versionoriginal1B · 137
- Szenvedélyoriginal2B · 78
- Szenvedélyoriginal2B · 136
- Szenvedélyoriginal12A · 79
- Szenvedélyoriginal2B · 136
At 146 BPM in F minor (4A), Szenvedély is a fast hard rock production. It reads as dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. Hotter than 93% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- darker than 86% of Ossian's catalogue
- Low end:
- more treble-tilted than 86% of Ossian's catalogue
- Groove:
- less groove-driven than 83% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Szenvedély in?
Szenvedély by Ossian is in F minor, or 4A on the Camelot wheel.
What BPM is Szenvedély?
Szenvedély runs at 146 BPM, a fast track.
What mixes well with Szenvedély?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Szenvedély good for peak time?
With energy 98 out of 100 at 146 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 146 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 146 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 146 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.