Szenvedély (Live)
30s preview
- Key
- 4A · F minor
- BPM
- 139
- Open Key
- 9m
- Energy
- 89/100
- Pop
- 5/100
- Length
- 4:17
- Released
- 2019
- Album
- 60/30/20 - Tripla Jubileumi koncert I. (Live)
- Genre
- Hard Rock
- Loudness
- -8.8 dB
- Dynamics
- 14.7 dB
- ISRC
- HUA631900204
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Szenvedélyoriginal4A · 146
- Szenvedély - Symphonic Versionoriginal1B · 137
- Szenvedélyoriginal2B · 78
- Szenvedélyoriginal2B · 136
- Szenvedélyoriginal12A · 79
- Szenvedélyoriginal2B · 136
Against the original (4A at 146 BPM), this version runs 7 BPM slower in the same key.
At 139 BPM in F minor (4A), Szenvedély (Live) is a driving up-tempo hard rock production. Tonally it lands punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Szenvedély (Live) in?
Szenvedély (Live) by Ossian is in F minor, or 4A on the Camelot wheel.
What BPM is Szenvedély (Live)?
Szenvedély (Live) runs at 139 BPM, a driving up-tempo track.
What mixes well with Szenvedély (Live)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Szenvedély (Live) good for peak time?
With energy 89 out of 100 at 139 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 139 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 131-147 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 139 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 139 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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