Szenvedély II.
- BPM
- 133
- Open Key
- 9d
- Energy
- 88/100
- Pop
- 5/100
- Length
- 4:14
- Released
- 1999
- Album
- Fémzene
- Genre
- Hard Rock
- Loudness
- -3.4 dB
- ISRC
- HUA639900019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Szenvedély II.: peak-time tempo hard rock, A♭ major (4B), 133 BPM. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 1999 production that still circulates in sets.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Szenvedély II. in?
Szenvedély II. by Ossian is in A♭ major, or 4B on the Camelot wheel.
What BPM is Szenvedély II.?
Szenvedély II. runs at 133 BPM, a peak-time tempo track.
What mixes well with Szenvedély II.?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Szenvedély II. good for peak time?
With energy 88 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 133 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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