Ahol a szürkeség véget ér (Live)
30s preview
- Key
- 7B · F major
- BPM
- 132
- Open Key
- 12d
- Energy
- 93/100
- Pop
- 11/100
- Length
- 3:24
- Released
- 2020
- Album
- Csak a Jót
- Genre
- Hard Rock
- Loudness
- -6.1 dB
- Dynamics
- 17.5 dB
- ISRC
- HUA632000019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ahol a szürkeség véget éroriginal9B · 129
- Ahol a szürkeség véget ér (Live)original7B · 136
Against the original (9B at 129 BPM), this version runs 3 BPM faster and moves the key from 9B to 7B.
Ahol a szürkeség véget ér (Live) runs 132 BPM in F major (7B), a peak-time tempo hard rock record. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 18 dB). More treble-tilted than 99% of Ossian's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 76% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Ahol a szürkeség véget ér (Live) in?
Ahol a szürkeség véget ér (Live) by Ossian is in F major, or 7B on the Camelot wheel.
What BPM is Ahol a szürkeség véget ér (Live)?
Ahol a szürkeség véget ér (Live) runs at 132 BPM, a peak-time tempo track.
What mixes well with Ahol a szürkeség véget ér (Live)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Ahol a szürkeség véget ér (Live) good for peak time?
With energy 93 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 132 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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