Csak Fémzene by Ossian cover art

Csak Fémzene

Ossian

30s preview

Key
3B · D♭ major
BPM
132
Open Key
8d
Energy
87/100
Pop
15/100
Length
4:39
Released
1999
Album
Fémzene
Genre
Hard Rock
Loudness
-3.2 dB
Dynamics
11.8 dB
ISRC
HUA639900010

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 132 BPM in D♭ major (3B), Csak Fémzene is a peak-time tempo hard rock production. The feel is bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 1999 production that still circulates in sets. Brighter than 93% of Ossian's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 91% of Ossian's catalogue
Reach:
better known than 87% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood74Bright
Groove55
Acoustic0
Instrumental0
Live4
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Csak Fémzene in?

Csak Fémzene by Ossian is in D♭ major, or 3B on the Camelot wheel.

What BPM is Csak Fémzene?

Csak Fémzene runs at 132 BPM, a peak-time tempo track.

What mixes well with Csak Fémzene?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Csak Fémzene good for peak time?

With energy 87 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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