Az ördög hegedűse (Caprice 24)
30s preview
- BPM
- 130
- Open Key
- 3d
- Energy
- 87/100
- Pop
- 4/100
- Length
- 3:22
- Released
- 2011
- Album
- Az lesz a győztes
- Genre
- Hard Rock
- Loudness
- -5.7 dB
- Dynamics
- 11.9 dB
- ISRC
- HUA631100054
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 130 BPM in D major (10B), Az ördög hegedűse (Caprice 24) is a peak-time tempo hard rock production. It reads as dark and driving. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Less groove-driven than 98% of Ossian's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 91% of Ossian's catalogue
- Low end:
- more bass-heavy than 85% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Az ördög hegedűse (Caprice 24) in?
Az ördög hegedűse (Caprice 24) by Ossian is in D major, or 10B on the Camelot wheel.
What BPM is Az ördög hegedűse (Caprice 24)?
Az ördög hegedűse (Caprice 24) runs at 130 BPM, a peak-time tempo track.
What mixes well with Az ördög hegedűse (Caprice 24)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Az ördög hegedűse (Caprice 24) good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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