Emberi Dolgok - Symphonic Version
30s preview
- BPM
- 130
- Open Key
- 6m
- Energy
- 68/100
- Pop
- 4/100
- Length
- 4:45
- Released
- 2006
- Album
- A Lélek Hangja
- Genre
- Hard Rock
- Loudness
- -4.9 dB
- Dynamics
- 12.5 dB
- ISRC
- HUA630600052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Emberi Dolgokoriginal4B · 140
At 130 BPM in A♭ minor (1A), Emberi Dolgok - Symphonic Version is a peak-time tempo hard rock production. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2006 production that still circulates in sets. More treble-tilted than 96% of Ossian's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 94% of Ossian's catalogue
- Groove:
- less groove-driven than 79% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Emberi Dolgok - Symphonic Version in?
Emberi Dolgok - Symphonic Version by Ossian is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Emberi Dolgok - Symphonic Version?
Emberi Dolgok - Symphonic Version runs at 130 BPM, a peak-time tempo track.
What mixes well with Emberi Dolgok - Symphonic Version?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Emberi Dolgok - Symphonic Version good for peak time?
With energy 68 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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