Tűzkeresztég II - Concert-Bonus 2004 by Ossian cover art

Tűzkeresztég II - Concert-Bonus 2004

Ossian

Key
2A · E♭ minor
BPM
126
Open Key
7m
Energy
98/100
Pop
3/100
Length
4:08
Released
2005
Album
A Szabadság Fantomja
Genre
Hard Rock
Loudness
-2.9 dB
ISRC
HUA630500196

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in E♭ minor (2A), Tűzkeresztég II - Concert-Bonus 2004 is a club-tempo hard rock production. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2005 production that still circulates in sets. Hotter than 93% of Ossian's catalogue. In a set it works best as a peak-time weapon.

Brightness:
darker than 84% of Ossian's catalogue
Reach:
more underground than 82% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood28Dark
Groove45
Acoustic0
Instrumental80
Live95
Speech12

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Tűzkeresztég II - Concert-Bonus 2004 in?

Tűzkeresztég II - Concert-Bonus 2004 by Ossian is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Tűzkeresztég II - Concert-Bonus 2004?

Tűzkeresztég II - Concert-Bonus 2004 runs at 126 BPM, a club-tempo track.

What mixes well with Tűzkeresztég II - Concert-Bonus 2004?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Tűzkeresztég II - Concert-Bonus 2004 good for peak time?

With energy 98 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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