Ősök Vére by Ossian cover art

Ősök Vére

Ossian

30s preview

Key
4A · F minor
BPM
126
Open Key
9m
Energy
99/100
Pop
12/100
Length
3:33
Released
2001
Album
Titkos Ünnep
Genre
Hard Rock
Loudness
-4.6 dB
Dynamics
12.3 dB
ISRC
HUA630100019

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Ősök Vére runs 126 BPM in F minor (4A), a club-tempo hard rock record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2001 production that still circulates in sets. Hotter than 98% of Ossian's catalogue.

Brightness:
darker than 92% of Ossian's catalogue
Low end:
more bass-heavy than 88% of Ossian's catalogue
Reach:
better known than 79% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood20Dark
Groove49
Acoustic0
Instrumental0
Live8
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Ősök Vére in?

Ősök Vére by Ossian is in F minor, or 4A on the Camelot wheel.

What BPM is Ősök Vére?

Ősök Vére runs at 126 BPM, a club-tempo track.

What mixes well with Ősök Vére?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Ősök Vére good for peak time?

With energy 99 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.