Hajnalban (Győrfi András Barátunk emlékére) by Ossian cover art

Hajnalban (Győrfi András Barátunk emlékére)

Ossian

Key
8A · A minor
BPM
125
Open Key
1m
Energy
83/100
Pop
7/100
Length
4:15
Released
2016
Album
Fényárban és Félhomályban
Genre
Hard Rock
Loudness
-4.0 dB
ISRC
HUA631600231

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo hard rock cut, Hajnalban (Győrfi András Barátunk emlékére) sits in A minor (8A) at 125 BPM. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Calmer than 76% of Ossian's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood37Balanced
Groove41
Acoustic0
Instrumental61
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Hajnalban (Győrfi András Barátunk emlékére) in?

Hajnalban (Győrfi András Barátunk emlékére) by Ossian is in A minor, or 8A on the Camelot wheel.

What BPM is Hajnalban (Győrfi András Barátunk emlékére)?

Hajnalban (Győrfi András Barátunk emlékére) runs at 125 BPM, a club-tempo track.

What mixes well with Hajnalban (Győrfi András Barátunk emlékére)?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Hajnalban (Győrfi András Barátunk emlékére) good for peak time?

With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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