Egyek Vagyunk - Symphonic Version
30s preview
- BPM
- 127
- Open Key
- 5m
- Energy
- 79/100
- Pop
- 4/100
- Length
- 4:52
- Released
- 2006
- Album
- A Lélek Hangja
- Genre
- Hard Rock
- Loudness
- -4.1 dB
- Dynamics
- 14.5 dB
- ISRC
- HUA630600059
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Egyek Vagyunkoriginal12A · 134
Egyek Vagyunk - Symphonic Version runs 127 BPM in D♭ minor (12A), a peak-time tempo hard rock record. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2006 production that still circulates in sets. Calmer than 82% of Ossian's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Egyek Vagyunk - Symphonic Version in?
Egyek Vagyunk - Symphonic Version by Ossian is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Egyek Vagyunk - Symphonic Version?
Egyek Vagyunk - Symphonic Version runs at 127 BPM, a peak-time tempo track.
What mixes well with Egyek Vagyunk - Symphonic Version?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Egyek Vagyunk - Symphonic Version good for peak time?
With energy 79 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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