Éjféli Lány
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 6m
- Energy
- 83/100
- Pop
- 3/100
- Length
- 4:28
- Released
- 1998
- Album
- Koncert 1
- Genre
- Hard Rock
- Loudness
- -5.2 dB
- Dynamics
- 14.1 dB
- ISRC
- HUA639800008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Éjféli lányoriginal6A · 141
- Éjféli Lány - Symphonic Versionoriginal2A · 140
- Éjféli lány (Live)original5A · 137
- Éjféli Lányoriginal2B · 71
- Éjféli lányoriginal5A · 135
- Éjféli Lányoriginal8A · 145
At 140 BPM in A♭ minor (1A), Éjféli Lány is a driving up-tempo hard rock production. The groove is loose and less beat-driven. The master keeps unusual dynamic range for club music (crest 14 dB). A 1998 production that still circulates in sets. Less groove-driven than 92% of Ossian's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 82% of Ossian's catalogue
- Energy:
- calmer than 77% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Éjféli Lány in?
Éjféli Lány by Ossian is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Éjféli Lány?
Éjféli Lány runs at 140 BPM, a driving up-tempo track.
What mixes well with Éjféli Lány?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Éjféli Lány good for peak time?
With energy 83 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 140 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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