Éjféli Lány - Symphonic Version
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 7m
- Energy
- 75/100
- Pop
- 4/100
- Length
- 4:30
- Released
- 2006
- Album
- A Lélek Hangja
- Genre
- Hard Rock
- Loudness
- -4.1 dB
- Dynamics
- 13.0 dB
- ISRC
- HUA630600050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Éjféli lányoriginal6A · 141
- Éjféli lány (Live)original5A · 137
- Éjféli Lányoriginal1A · 140
- Éjféli Lányoriginal2B · 71
- Éjféli lányoriginal5A · 135
- Éjféli Lányoriginal8A · 145
Éjféli Lány - Symphonic Version is a driving up-tempo hard rock track in E♭ minor (2A) at 140 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2006 production that still circulates in sets. Calmer than 87% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Éjféli Lány - Symphonic Version in?
Éjféli Lány - Symphonic Version by Ossian is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Éjféli Lány - Symphonic Version?
Éjféli Lány - Symphonic Version runs at 140 BPM, a driving up-tempo track.
What mixes well with Éjféli Lány - Symphonic Version?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Éjféli Lány - Symphonic Version good for peak time?
With energy 75 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 140 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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