Egyedül by Ossian cover art

Egyedül

Ossian

30s preview

Key
8A · A minor
BPM
140
Half-time
70
Open Key
1m
Energy
69/100
Pop
4/100
Length
4:03
Released
2007
Album
Örök Tűz
Genre
Hard Rock
Loudness
-4.0 dB
Dynamics
12.0 dB
ISRC
HUA630700042

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Egyedül: driving up-tempo hard rock, A minor (8A), 140 BPM. Tonally it lands punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. Calmer than 92% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.

Groove:
less groove-driven than 87% of Ossian's catalogue
Low end:
more treble-tilted than 87% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood36Balanced
Groove32
Acoustic2
Instrumental0
Live9
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Egyedül in?

Egyedül by Ossian is in A minor, or 8A on the Camelot wheel.

What BPM is Egyedül?

Egyedül runs at 140 BPM, a driving up-tempo track.

What mixes well with Egyedül?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Egyedül good for peak time?

With energy 69 out of 100 at 140 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 140 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.