Ahol a szürkeség véget ér (Live)
30s preview
- Key
- 7B · F major
- BPM
- 136
- Open Key
- 12d
- Energy
- 81/100
- Pop
- 6/100
- Length
- 4:03
- Released
- 2019
- Album
- 60/30/20 - Tripla Jubileumi koncert I. (Live)
- Genre
- Hard Rock
- Loudness
- -10.0 dB
- Dynamics
- 14.7 dB
- ISRC
- HUA631900207
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ahol a szürkeség véget éroriginal9B · 129
- Ahol a szürkeség véget ér (Live)original7B · 132
Against the original (9B at 129 BPM), this version runs 7 BPM faster and moves the key from 9B to 7B.
Ahol a szürkeség véget ér (Live) runs 136 BPM in F major (7B), a driving up-tempo hard rock record. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). Darker than 93% of Ossian's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 92% of Ossian's catalogue
- Energy:
- calmer than 79% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Ahol a szürkeség véget ér (Live) in?
Ahol a szürkeség véget ér (Live) by Ossian is in F major, or 7B on the Camelot wheel.
What BPM is Ahol a szürkeség véget ér (Live)?
Ahol a szürkeség véget ér (Live) runs at 136 BPM, a driving up-tempo track.
What mixes well with Ahol a szürkeség véget ér (Live)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Ahol a szürkeség véget ér (Live) good for peak time?
With energy 81 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 136 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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