Bűnösök és szentek
30s preview
- BPM
- 142
- Half-time
- 71
- Open Key
- 11d
- Energy
- 83/100
- Pop
- 2/100
- Length
- 3:33
- Released
- 1992
- Album
- Kitörés
- Genre
- Hard Rock
- Loudness
- -11.2 dB
- Dynamics
- 16.5 dB
- ISRC
- HUA253757503
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 142 BPM in B♭ major (6B), Bűnösök és szentek is a driving up-tempo hard rock production. Tonally it lands punchy, neutral in mood. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 1992 production that still circulates in sets. More treble-tilted than 89% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 88% of Ossian's catalogue
- Brightness:
- brighter than 80% of Ossian's catalogue
- Groove:
- groovier than 76% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Bűnösök és szentek in?
Bűnösök és szentek by Ossian is in B♭ major, or 6B on the Camelot wheel.
What BPM is Bűnösök és szentek?
Bűnösök és szentek runs at 142 BPM, a driving up-tempo track.
What mixes well with Bűnösök és szentek?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Bűnösök és szentek good for peak time?
With energy 83 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 142 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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